Room 01 · Sample work
Polar
Drift
A slow curtain of particles shaped by public aurora forecasts. Visitors steer the wind with their hands and leave a wake that fades over ninety seconds.
Generative Artist
Sunniva Aas builds living light fields with code, weather data, and a lot of patience. The work sits between a painting and a system that never quite repeats itself.
Press and hold the sky to gather the light. Let go to release it.Hold a finger on the sky, then let go.
Room 01 · Sample work
A slow curtain of particles shaped by public aurora forecasts. Visitors steer the wind with their hands and leave a wake that fades over ninety seconds.
Room 02 · Sample work
Fifty soft lights breathe with a live microphone feed. When the room goes quiet the field folds into itself and waits. It is very patient.
Room 03 · Sample work
A garden of charged ribbons that open toward motion. Built as a gift for a friend who collects rare minerals and sends photos of the sky.
Room 04 · Sample work
The closing piece of the series. A single ribbon splits into hundreds, then finds its way back together before the lights come up.
Every piece starts as a question about light. Then comes a rough system, a week of stubborn tuning, and finally a version that feels alive without shouting.
Field recordings, sky notes, color swatches on the wall. The raw material is rarely pixels. Usually it is a mood and a constraint.
Noise fields, particle rules, a handful of uniforms. Small systems that can surprise me later without falling apart.
The piece runs on a spare monitor for days. If it still feels good while I make coffee, it ships. If not, back to the weather.
Sunniva Aas builds living light fields with code, weather data, and a lot of patience. The work sits between a painting and a system that never quite repeats itself.
Sample figures for this demo.
"People stayed in the room long after the talk ended. Nobody wanted to be the first to leave the light."
Room installations, projection pieces, screen works for lobbies and small editions for the home. Each one is tuned to its space.
Most run in a modern browser on a small computer. Large rooms use projectors, planned together with your venue.
Usually six to ten weeks, including a week where the piece runs quietly before it ships.
Yes. Weather, sound, footfall or your own dataset can drive the field. We agree the inputs in the first call.
Commissions, exhibitions, and the occasional strange experiment. If you have a room, a story, or a dataset that wants to breathe, write.
visual storyteller · Lisbon