Generative Artist

LIGHT IS THE ONLY MATERIAL

Sunniva Aas
visual storyteller · Lisbon
@studio.nova Particles Shader fields Live systems

Sunniva Aas builds living light fields with code, weather data, and a lot of patience. The work sits between a painting and a system that never quite repeats itself.

Press and hold the sky to gather the light. Let go to release it.Hold a finger on the sky, then let go.

Room 01 · Sample work

Polar
Drift

A slow curtain of particles shaped by public aurora forecasts. Visitors steer the wind with their hands and leave a wake that fades over ninety seconds.

Medium WebGL · custom shaders
Shown Sample exhibition
Scale 12m projection
Aurora field installation, Polar Drift
Polar Drift field study 04

Room 02 · Sample work

Night
Choir

Fifty soft lights breathe with a live microphone feed. When the room goes quiet the field folds into itself and waits. It is very patient.

Medium Audio reactive canvas
Shown Studio open night
Scale Room piece
Soft light field for Night Choir
Night Choir listening room

Room 03 · Sample work

Ion
Bloom

A garden of charged ribbons that open toward motion. Built as a gift for a friend who collects rare minerals and sends photos of the sky.

Medium Particle ribbons
Shown Private commission
Scale Desktop + wall
Ion Bloom generative ribbons
Ion Bloom charged garden

Room 04 · Sample work

Curtain
Call

The closing piece of the series. A single ribbon splits into hundreds, then finds its way back together before the lights come up.

Medium Full screen shader
Shown Gallery walk finale
Scale Endless
Curtain Call closing ribbon piece
Curtain Call finale study

How the
field gets
made

Every piece starts as a question about light. Then comes a rough system, a week of stubborn tuning, and finally a version that feels alive without shouting.

01

Gather

Field recordings, sky notes, color swatches on the wall. The raw material is rarely pixels. Usually it is a mood and a constraint.

02

Build the weather

Noise fields, particle rules, a handful of uniforms. Small systems that can surprise me later without falling apart.

03

Let it sit

The piece runs on a spare monitor for days. If it still feels good while I make coffee, it ships. If not, back to the weather.

Portrait of the artist

Sunniva Aas

Sunniva Aas builds living light fields with code, weather data, and a lot of patience. The work sits between a painting and a system that never quite repeats itself.

Lisbon light chaser @studio.nova 2026

The field
in numbers

Particles in a room piece
40000
Days a piece runs before it ships
7
Frames it never repeats
∞

Sample figures for this demo.

"People stayed in the room long after the talk ended. Nobody wanted to be the first to leave the light."
Curator, gallery evening Sample quote

Questions

What can I commission?

Room installations, projection pieces, screen works for lobbies and small editions for the home. Each one is tuned to its space.

Do the pieces need special hardware?

Most run in a modern browser on a small computer. Large rooms use projectors, planned together with your venue.

How long does a commission take?

Usually six to ten weeks, including a week where the piece runs quietly before it ships.

Can a piece react to our data?

Yes. Weather, sound, footfall or your own dataset can drive the field. We agree the inputs in the first call.

Make a
new sky
together

Commissions, exhibitions, and the occasional strange experiment. If you have a room, a story, or a dataset that wants to breathe, write.

visual storyteller · Lisbon

Thank you. This demo form sends nothing, a real site would answer within a few days.