Final grade
Scene by scene finishing with the director and DP in the room or on a calibrated remote stream.
- Shot matching and continuity
- Windows, keys and beauty work
- Film grain and halation
Every frame,
finished in the dark.
Iris is a colour house for features, series and commercials. Try the room below: drag the wheels, pick a look, pull the split line. The grade runs live on the frame.
Senior colourist Beatriz Lemos @studio.nova Est. 2026
Scope
Lift
0.00 0.00 0.00
Gamma
0.00 0.00 0.00
Gain
0.00 0.00 0.00
Drag inside a wheel to push colour into the shadows, midtones or highlights. The sliders under each wheel set its master level.
01 / Services
Colour, from dailies to delivery.
One team holds the look from the first on set LUT to the last HDR master, so the picture you signed off is the picture that ships.
Look development
We build the show look before the shoot so the monitors on set already feel like the film.
- Show LUTs for camera and set
- Print film emulation
- Test shoot grading
Short form
Fast, precise sessions for spots and promos, with versions for every platform and aspect.
- Same day turnarounds
- Brand colour matching
- Vertical and square masters
HDR and deliverables
Dolby Vision and HDR10 trim passes, SDR derivatives and archival masters checked to spec.
- Dolby Vision analysis and trims
- DCP and IMF packages
- QC reports
Dailies
Synced, graded dailies with the show look applied, ready for editorial each morning.
- On set or near set
- Secure review links
- Metadata passthrough
Restoration
Scan grading and colour recovery for faded prints and legacy tape masters.
- Fade correction
- Dust and scratch cleanup
- New masters from old elements
02 / Reel
Before, and after.
Scroll to wipe each frame from the log camera original to the finished grade. Frames shown are sample images.
03 / Process
How a grade comes together.
Conform
We rebuild your cut from camera originals and check every edit against the reference.
Balance
A neutral first pass: exposure, white balance and matching across every scene.
Look
The creative pass with you in the room. Wheels, curves, windows and texture.
Deliver
Trim passes, QC and masters in every format your distributor asks for.
- Grading suites
- 3
- Projection room
- 4K DCI
- Reference
- HDR, 1000 nits
- Remote review
- Calibrated
04 / Suites
Book the room that fits the work.
Figures below are sample pricing for this template. Every project is quoted after a short call.
Suite CSample
Short form
€90 / hour
- SDR grading suite, 1 colourist
- Up to 3 aspect versions
- Remote review stream
Suite ASample
Long form
€1,100 / day
- HDR suite with 4K projection
- Senior colourist and assist
- Look development session
- Dolby Vision trims
Near setSample
Dailies
€450 / shoot day
- Graded dailies each morning
- Show LUT management
- Secure review links
05 / Clients
Studios, agencies, directors.
Placeholder names. Replace them with the productions you have graded.
- Your studioPlaceholder
- Production co.Placeholder
- Agency namePlaceholder
- Streaming seriesPlaceholder
- Feature titlePlaceholder
- Music labelPlaceholder
"They found the night we were trying to shoot and never got. The film finally looks like the script felt."
"Calm room, exact notes, and the trims were done before we asked."
06 / Colourist
Beatriz Lemos
Senior colourist
Beatriz Lemos grades features, series and commercials from a quiet suite in Lisbon. The work is about restraint: skin that sits honest, nights that keep their shape, and a look that serves the story.
07 / Questions
Before you book.
Can I attend the session remotely?
Yes. We stream the suite output to a calibrated display or a supported tablet, with live notes and a talkback line.
What should I send before the grade?
A locked cut as XML or AAF, a reference export, camera originals and any look references you like. We will confirm the conform checklist when you book.
Do you work with camera LUTs from set?
We can carry your show LUT into the grade or rebuild it as a proper node tree so it holds up in HDR.
How long does a feature grade take?
It depends on the film. As a guide, plan a few days of look development and a few weeks of finishing, then trims and deliverables.
Which deliverables can you produce?
SDR and HDR masters, Dolby Vision metadata, DCP and IMF packages, and platform specific files with QC reports.
08 / Booking